Fish Tank

Clip 4

In this scene Mia dances for Connor in her front room. the majority of this scene is filmed to show how he watches her dance through a scopophilic way through the unnerving slow paced editing. This use of slow editing makes the scene challenging to watch because the camera shot lingers on Mia as she dances for unsettlingly long amount of time to give a sense of intimacy. Furthermore the scene is shot in low key lighting and the only light source is the street lights out side, this use of lighting helps convey the seediness of the scenario and adheres to how social realist films often contain controversial themes, such as paedophilia. This is also later shown by how the camera remains fixed on the two characters rather than looking away like in more mainstream texts, this makes it even more uncon=mfortable to watch for the audience.
In the mise en scene of the living room we can see that one of the walls in the room is decorated with a tropical beach wall paper which conveys that the family wish to escape the area they live in. this is a common convention of the social realist genre.
As she dances Mia is shown as a silhouette, which connotes that she is an object of Connors desire. This is reinforced when the shot cuts to show his point of view. Furthermore women are often shown in social realist films to exist for the men rather than independent. Also it shows how naive Mia is which is also a social realist convention of women.

Sci Fi Conventions in The Hunger Games

Sci Fi Conventions in The Hunger Games

In the sequence we analysed there was an obvious theme of a dominating higher power that control the people of District 12. This use of establishment is a common theme within the Sci Fi genre. The purpose of showing the higher power in this way is to convey a statement of rebellion through the use of polysemic narrative that reflects modern day issues in a futuristic text.

One typical Sci Fi convention used in the hunger Games is the use if fast paced editing, we can see this used throughout the film but however it is prominent in the train scene where even though there is not much pace in the narrative the editing is constant and quick. 

Neo Noir in Drive

Drive Neo Noir Conventions

Narrative

Ryan Goslings character in Drive is working to help protect Irene and her son through acts of violence. this show him to be an anti Hero and shows how he has a fatal flaw. He has no desire for money or his own will being, his main focus is to protect irene and her son.

Characters

Driver - A flawed Anti Hero who acts on the behalf of a woman, this is typical of noir conventions.

Irene - A diluted Post Modern Femme Fatale who inactively get Ryan Goslings character to help her. She DOES NOT use her sexuality to manipulate him unlike in classic Noir.

Corrupt Characters - Gangsters this isn't typical of noir 

Mise en scene

Neon signs - Red Exit sign conveys danger and that they should leave. 

Dark low key lighting half and half lighting on the face venetian blinds. All these are common techniques used in classic noir to show the duality of the protagonists by showing their faces in half light and half dark. We see this used when the driver commits a dark act for a good reason which high lights him as an anti hero.

Themes

Paranoia and mistrust run through out the film which reflects the mood of classic Noirs set in the cold war period. We see this in the scene with Blanche where The Driver Slaps her and Questions her.

The Graphic Violence is a post modern twist but still helps convey the bleakness of standard Noir.

Sin City

Sin City

Sin City is a cross genre film which contains characteristics of both the Noir genre and the Comic Book Genre. One way that Sin city conforms to the Noir genre is the constant use of low key lighting and cold wet locations. This use of pathetic fallacy helps to enforce the cold bleak out look of the 50s when original Noir was made. We can see this used in the opening scene where the women is standing on the roof of the building. We can see the city skyline of night time American city in the pouring rain this helps set the mood of the film being a dark and harsh film this is all typical of the Noir genre. 

Another way that Sin City is typical of the Noir genre is the way that the film uses a male narrator. This is common in Noir films as the protagonist in the story is always male and takes a dominant role. However in Noir films the men often fall for a women (Femme Fatal) who often uses them for personal gain. One example of Male narration in Sin City is were one of the male protagonists Marv talks about how he will avenge the dead prostitute Goldie. Also the character John Hartigan constantly puts him self down during his narration and uses this to motivate himself "an old man dies little girl lives" and Marv refers to himself as a "two time loser". 

One way that this film conforms to the conventions of the comic book genre is the use of over the top violence. In Sin City all of the protagonists are at some points extremely violent which is trait not often found in Noir films one example of this is the scene where escapes from the police and punches a door which shatters like glass and then dives down an entire stairwell. This helps re-enforce the cross genres of the film and highlights it as being a hybrid film.

To what extent are your chosen texts typical of their genre?

To what extent are your chosen texts typical of their genre?

My chosen text is fish tank. It is a social realism film and is very typical to its genre. One way it is a social realism film is by the way the film uses technical conventions to made the audience empathise with the characters in the movie, for example the film uses shallow focus, natural lighting and hand held camera. These all give the film a feeling of a realistic environment and help put the audience into the scene. An example of where technical codes are used is when Mia chases after Connor down the stairs of the apartment. The shot is one continuous tracking shot using a hand held camera through a low key corridor and then when Connor drives away the shot is in shallow focus which reflects how the human eye works. 

 The film itself portrays a realistic view of modern under class Britain and shows the social conditions of inner city life in the UK. the film is set it London, we can tell this because of the characters accents and the establishing shots of the city skyline. Towards the beginning of the film we see the protagonist, Mia,  is shown in a non stereotypical way because she is represented as being confrontational and aggressive. 

Todorov in Death Race

Todorov's Narrative Theory in Death Race

the majority of stories follow a specific narrative structure. In the 30s Todorov studied 100s of folk tales and found that they all followed a certain narrative structure which could be applied to many other stories. 

Todorov's theory goes like this:

1. The story starts and everything is in balance (a state of equilibrium)
2. Something happens to disrupt the equilibrium 
3. The disruption is identified 
4. An attempt is made to restore the equilibrium
5. A new equilibrium is formed

This narrative theory still applies to modern texts, for example this is how it applies to the 2008 film Death Race.

At the beginning of the film the protagonist Jason Statham is shown to have a wife, child and a fairly average working class life (this is the equilibrium). 

However one night he is knocked out and while he is unconscious he is framed for killing his wife. He then gets sent to prison and his daughter is taken into care. (This is definitely the disruption).

In prison he is forced to race in a series of races for a corrupt prison warden against his will, this is where he recognises the disruption as the man who framed him is in the prison. He decides that he has to escape from the prison to be with he daughter. 

The protagonist then breaks out of the prison during a race and his friends kill the prison warden. He is then reunited with he is daughter and lives with his girlfriend from prison. This creates a new equilibrium.

western genre convention

Western Films.

Iconography

'The good, the bad and the ugly" follows a series of various conventions and properties that define it as being in the western genre for example, key settings and aspects of mise en scene.

• Costumes
• Desert settings 
• Old country and mexican music    
• Pistols
• Horses
• 1890-1910 era
• Western american / mexican region
• Stand offs

All of these features are very common amongst western films and help to determine how generic a western film is.

Narrative

Often in the Western film genre there is the Strauss narrative theory of binary opposition for example good verses evil. Furthermore western films also contain hints of Todorovs narrative theory in the way that the film builds up to a crescendo, which ultimately restores the equilibrium. 

james bond representation of women

The james bond franchise is a clear example of film objectifying females and forcing the audience to view males via the male gaze. the scene within, die another day "die another day" when james bond meets the character jinx demonstrates how women are often added into texts for the visual pleasure of men. 

In this scene the female character is shown emerging from the water, wearing a bikini, in slow motion from the perspective of the male protagonist, this links to Laura Mulvey's male gaze theory because the female character jinx is placed in the scene for male viewing pleasure, to gratify the male audience in a scopophilic sense as she is seen through binoculars. Also the use of slow motion and the lingering camera shots objectifies her and causing the audience to admire her body. This gratifies the male audience and causes the female viewers to aspire to be like her because she is an object of desire. 

Futhermore this scene creates an illusion of reality by the main female character's appearance. When she has walked off the beach not only has the camera tracked her movements as she walks to emphasise her figure but she is also wearing make up after she has left the ocean. In reality if she had been wearing make up he would have it all down her face after having gone swimming in the sea. Another feature which adds to this hyper reality is the non-diegetic music as she walks up the beach. This creates a dream like state hinting that bond is in a paradise. 

My media question

Is it vital for a Hollywood blockbuster to conform to traditional narrative conventions in order for it to be successful financially, with particular attention to 'The Dark Knight' and 'Casino Royale'?  
Intro

In the modern Film Industry the majority of films that are produced often follow a set of certain narrative conventions. The most common narrative theory present in contemporary mainstream cinema is Todorovs narrative theory, Propps character theory and Strauss' theory of binary opposition. This is because it is important to follow familiar narrative theories so that an audience can understand, decode and appreciate the plot. If the film does not conform to the narrative conventions it may not gratify the intended, mainstream audiences expectations and receive negative reactions. Therefore its profits will suffer and the film may be financially unsuccessful. Stanley Kubrick once Said "A story is something with an interesting premise that builds to a logical and satisfying conclusion"[15]. For my investigation I will be focusing on both The Dark Knight and Casino Royale to question how high grossing hollywood films must follow various narrative techniques, such as Todorov's Narrative theory, Propp's character theory and Strauss' theory of binary opposition, to achieve mainstream appeal.


Aim 1

The majority of modern mainstream films follow Todorov's narrative theory of 'equilibrium'. “Todorov in 1969 produced a theory which he believed to be able to be applied to any film. He believed that all films followed the same narrative pattern. They all went through stages called the equilibrium, disequilibrium, acknowledgement, solving and again equilibrium.”[3] This narrative theory applies to both my chosen texts to a certain extent, 'The Dark Knight' and 'Casino Royale'. Both films are extremely high grossing blockbuster movies. However I feel Todorov applies more to 'The Dark Knight' than 'Casino Royale' because 'The Dark Knight' sticks to this theory rigidly and 'Casino Royale' seems to occasionally move away from the generic/predictable Todorov structure. However both texts still follow a formulaic Narrative structure which is commonly found in modern films that follow a linear pattern, Todorov is also the structure that most audiences can relate to the most because it is chronological, making it the most gratifying.
Todorov’s narrative theory can be applied to the plot of ‘The Dark Knight’.  The narrative begins in a state of Equilibrium, the the new District Attorney Harvey Dent is cleaning up the streets of gotham and Bruce wayne helps him by offering to hold a fund raising party for him. Then our antagonist The Joker (who has been plotting with with organized crime lords to kill Batman) announces that if the Batman man does not “take off his mask” he will kill innocent civilians. This is the Disruption. After this threat from The Joker, Bruce Wayne contemplates giving up and turning himself in as Batman, because of the chaos caused by The Joker. This is the moment that the Disruption is Identified. Then After the death of Rachel Dawes (which could be considered a secondary Disruption) Batman makes an attempt to restore the equilibrium by finding The Joker, with the help of Lucius Fox operating a surveillance device, and fighting him. After The Joker is defeated, the grief stricken, Harvey Dent goes on a hunt for revenge, killing those responsible for Rachel’s death. Batman then accidentally kills Dent in a struggle and gets Commissioner Gordon to announce that Batman murdered Dent so that Dents reputation remains untarnished. This is the New Equilibrium.
Films that belong to the James bond Franchise all follow the same formula when it comes to narrative structre. [5] At the beginning of Casino Royale we see James Bond make his first kill which helps establish Bond as the key protagonist, After the title sequence the Villain of the film is revealed as Le Chiffre we can tell that he is the antagonist by the context of him dealing with terrorists. Also we can tell by the mise en scene that he conforms to what many typical villains look like by the fact that he wears an all black suit and has a serious scar on his face by his eye. Furthermore we can tell through the use of low key lighting that Le Chiffre is evil. In the following scene we can see James Bond on a mission chasing a bomb maker this seems to be a typical line of work for an MI6 agent, this is the state of equilibrium from Todorovs theory. Later in the film Le Chiffre plans to bomb a plane for financial gain which is the disruption. After this event M sends bond to play Le Chiffre at poker to stop him winning millions of dollars for terrorism. This is the point where the Disruption has been identified and an attempt is made to stop Le Chiffre. Bond then wins the match and Le Chiffre is killed which creates a new equilibrium. However in this narrative the story continues and does not conclude at the formulaic point with a typical 'happy ending'. in fact the new equilibrium is disrupted by the death of Bonds lover Vesper. This leaves the audience curious because of the 'Cliff hanger' or enigma. Furthermore this helps to widen the audience for the sequel, this may have been one of the contributing factors to Quantum of Solace’s box office success, and also the reason that it grossed higher than Casino Royale. [17]

Aim 2

Also in the modern film industry many of the key character roles conform to Propp’s theory and are the same throughout the majority of the big blockbuster movies, this is apparent in both The Dark Knight and Casino Royale. The character roles conform to the eight character roles in Propp's character theory.[8].
The 8 character roles that Propp identified in his theory are:
The Hero
The Villain
The Donor
The dispatcher
The false hero
The helper
The princess
Her Father [10]

In both my Chosen texts we see a similar character arrangement, in The Dark Knight there is a distinctive Hero and Villain. Batman is the Hero who is shown to stop crime for the good of the city and The Joker is the Villain who's plan is solely, to turn good people bad and turn Gotham City against itself. However the Hero is not typically conventional because he is not completely morally good.
Mr. Fox is the donor because he helps Batman, to stop The Joker, by giving him tools and weapons to aid him.
It is unclear exactly who the dispatcher is in this text becuase the dispatcher sends the hero on his quest and there is no such character in the narrative.
Harvey Dent is the false hero in the text because he claims to be the Hero, Batman. This action is a typical characteristic of a False Hero. [7]
Rachel Dawes is The Princess/Damsel in distress, however she dies meaning that she is not a reward for our Hero at the end of the film.
In this story the Princess role has no father, or at least his role does not feature in the narrative, this is most likely due to that fact that his role is not relevant to the plot.

In Casino Royale the key character roles are just as archetypal as in The Dark Knight.
James Bond is the Hero we can tell this because the film follows his actions as he tries to stop Le Chiffre, who we know to be the Villain by the way that he is funding terrorism.
The Donor is Mathis who helps Bond take down Le Chiffre by framing Le Chiffre’s associates and getting them arrested. However he turns out to be a traitor and is in fact working for Le Chiffre.
M is the Dispatcher, and is very conventional as far as Propp’s theory is concerned, because her only task is to send the Hero on his mission/quest and she does.
There is not False Hero in this particular storyline.
The Princess/Damsel in distress is Vesper who is the Hero's reward for his success.
Furthermore there is no Father figure in this text, much like in ‘The Dark Knight’. Also in Both of my focus films the Princess role dies because the hero is unable to save them which is a twist on the predictable ‘happy ending’ to the narrative. This is to shock viewers, because cine literate audiences expect the narrative to conclude (adhering to Todorovs theory) with a new equilibrium. When the filmmaker challenges that, by killing off a key character who normally lives, the audience is gratified because they don't expect it. Also if the filmmaker does adhere to how the audience expects the film to end then the audience will still be gratified, because they will have successfully guessed the end.   


Aim 3

Another Narrative theory that my focus films conform to is Strauss' theory of binary opposition. This theory states that for one character to be shown to be a certain way, like a hero to be shown as morally good the villain (the opposite) must be shown to be extremely bad. I find that both of my focus films follow this theory. However this theory does not just stop with behavioral traits it can also apply to how certain characters look, for example in Casino Royale the protagonist James Bond is shown to be masculine and attractive however the villain in the story Le Chiffre is shown to have scars and a glass eye which helps to make you favour Bond.
In Casino Royale the protagonist James Bond is shown to conform to the audiences formulaic expectations of a Hero. However in The Dark Knight, Batman is shown to be the ever more popular character, the Anti-hero. An anti hero is a typical protagonist with a twist. 'Unlike the traditional hero who is morally upright and steadfast, the anti-hero usually has a flawed moral character. The moral compromises he or she makes can often be seen as the unpleasant means to an appropriately desired end—such as breaking a finger to get answers—whatever it takes for the protagonist to come to justice'[16]. The Anti-Hero has become more popular in mainstream films and TV dramas because as an audience we find imperfect heroes more gratifying to watch because audiences can relate to them better. Some examples of popular texts that include Anti-Heroes are; Breaking Bad, Dirty Harry, The Godfather and Star Wars.

In The Dark Knight Batman is shown to be an Anti-Hero we can see this in the scene where Batman locks himself in the interrogation room with The Joker and continuously beats him to get information out of him. This activity is not typical of the common hero character which is in many film. As an audience we are shown through technical conventions how Batman's behaviour can be construed as villainous. One technical code used is low key lighting to highlight his dark behaviour which also links to the title of the film. Furthermore Batman is shown from a low angle shot to convey his dominance in this scene with The Joker, low key lighting is often associated with the Horror Genre, the use of it in this scene conveys that we should fear Batman even though he is the hero. Also the two characters are shown in separate shots before Batman grabs The Joker, this shows that they are opposites but then when he does they are shown in the same frame which conveys that he is behaving like The Joker (stooping to his level) through the use of framing. 
This new type of character helps to create a new character for mainstream hollywood protagonists evolving what we are all so familiar with. It also opposes Strauss' theory of certain characters having to contrast in order to appear a certain way.
However in The Dark Knight Strauss' Theory does still apply by the way that The Joker is Represented as a Madman driven by insanity and chaos. Compared to how Batman is represented to be a powerful vigilante driven by justice. We can see this in the scene where The Joker is hanging upside down from the building. This helps to Create a juxtaposition.



Conclusion

Both my focus films are high grossing Hollywood blockbusters that have been very financially successful. Casino Royale has made $167,445,960 and the dark knight has made $158,411,483. This financial success was due to many factors such as the Cast, the franchise and narrative. Although after my investigation it seems that for my two focus films the fact that they both belong to a franchise may be the major reason for their box office success. However i believe that without a formulaic narrative structure the profits for the films would suffer. So I believe it is important for films to adhere to typical narrative structures in order to be financially successful.


Film                                      Opening weekend                       All Time                   Budget

Dark Knight                          $158,411,483                       $534,858,444                 $185 million


Casino Royale                       $40,833,156                         $167,445,960                $150 million



Subject matter
mainstream
narrative structure
audience expectations
formulaic structure that conforms to the audiences expectations and gratifies them
a cine literate

Special effects will get you the first weekend box office, a good narrative will get you a slower box office decline and better DVD sales.

Bibliography
1. http://www.boxofficemojo.com/search/?q=the%20dark%20knight

2. http://www.boxofficemojo.com/search/?q=casino%20royale


3. http://mikedyera2mediastudies.blogspot.co.uk/p/todorovs-theory.html


4. http://heathenmedia.co.uk/insanity/2012/02/08/narrative-todorovs-theory-2/

5.http://dtugby10.wordpress.com/the-todorov-narrative-theory-within-bond/

6. http://iggyfiore.blogspot.co.uk/2012/10/todorovs-theory.html

7. http://keca2media.blogspot.co.uk/2013/09/narrative-todorov-propp-and-strauss.html

8. http://en.wikipedia.org/wiki/Casino_Royale_(2006_film)

9. http://en.wikipedia.org/wiki/The_Dark_Knight_(film)

10. http://heathenmedia.co.uk/sledgehammer/2011/11/01/narrative-–-vladimir-propp’s-theory-2/

11. http://www.mediaknowall.com/as_alevel/alevkeyconcepts/alevelkeycon.php?pageID=propp

12. http://www.medienabc.org/page5/page23/page41/page41.html

13. http://www.sandhills.edu/academic-departments/english/film/narrativearc.html

14. http://psychology.ucdavis.edu/Simonton/GreatFlicksToC.html

15. http://suite101.com/a/structure-in-film-why-do-we-insist-on-repeating-ourselves-a389373

16. http://www.relevantmagazine.com/culture/tv/rise-anti-hero

17. http://www.boxofficemojo.com/search/?q=quantum

Representation in filth

Representation in filth 

In this trailer there are many different representations. Some of which are stereotypes. in this trailer men are shown to be dominant over women and in control which is a representation often shown in films. however the men are also shown to be dirty/unhygienic and the main character Bruce (James Mcavoy) is shown to be a drug abuser. However the men are often shown in suits or smart clothing showing them as being authoritative when they are out working.

Women are represented as being attractive and sexual objects for the male characters to desire by them wearing lingerie. However the main female role played by Imogen Poots is shown to be caring by showing her concerns for bruce.

Scotland is represented in a negative way in the trailer for filth too by the people being unpleasant and unhappy.

Authority is shown to be negative and corrupt in the trailer as well. 

niche and mainstream

Across the media industry there are several forms of texts however the majority of the texts appeal to two types of audiences niche and mainstream audiences.

Niche - the definition of the word niche means little nest, and in the context of audience size it just means small. For example a text with a small audience would be the TV show songs of praise, this is because this show appeals to Christians who enjoy singing hymns at home. this is a very specific audience which narrows down how many views the show will get. one way we can tell that this show is niche is by when it is shown. songs of praise is aired during the day when most people who are working whereas shows that carry a bigger audience tend to be shown at peak times. Also we cane tell that the main demographic for this show do not work and are there for either unemployed or are retired which suggests the audience is elderly.

Mainstream - this is where the TV show/ film/ magazine/ other form of text has a large audience or following. The X Factor is a mainstream show, we can tell this because it is shown at a peak time and does not narrow its audience down by appealing to a specific demographic.



Niche

Mainstream

My favourite TV programme is The Inbetweeners, this is not really niche or mainstream as it started out niche and then quickly gained a huge audience but is still not very appealing to a lot of people which makes it in the middle. Some people who may take an oppositional reading to the show are elderly people or upperclass people, this is because they may

This show is aimed mainly at a male audience ranging from the ages of 16 to 30 however the show also attracts an older audience of men and women in their 40s and 50s because they may have children who are of a similar age to the characters in the show. Furthermore although the show revolves around 4 male teenagers the show also attracts an audience of women ranging from the the age of 16 to 30.

I watch the inbetweeners because it find the characters and the scenarios funny and relatable. Also it is a show that is often talked about so it can be a topic for social integration. The show contains a variety of inside jokes, words and phrases which you would be left out of if you didn't watch the show.